We expanded theatrical release in Europe and Austrailia. Lauderdale, Portland and New Orleans were also featured in our American theatrical run. Again, we enjoyed a highlighted Friday night premiere at the Hollywood Bowl/Ford Amphitheater for OUTFEST, another 3 week run in Toronto and opened or closed many prominent LBGTQ+ Film Festivals. But Ty’s hunky Fire Chief partner, Jay is not letting that flame blaze.īearCity 3 premiered in San Francisco at the Castro Theatre with an encore week by popular demand at the Roxie Theatre. romance can be hairy Set in New York's gay 'bear' scene and taking a cue from the popular HBO franchise 'Sex and the City,' BearCity follows a tight-knit pack of friends experiencing comical mishaps, emotionally sweet yet lusty romantic encounters and a cast of colorful, diverse characters as they gear up for a big party weekend. Meanwhile, Roger has hits sights set back on ex-fiancé Tyler. In BearCity 3 the gang goes camping at The Woods, as Brent and Fred prepare for fatherhood. Our most ambitious film to date soared with the help of the Bear Community and picked up a few more audience awards along the way. Fingers crossed my ticket order went through for pre-sale.Theatrical Release | JBearCity 3 goes from crowdfunding success story to critical and audience acclaim. When I read this I immediately made the order, not thinking twice about the calendar or the distance. I guess the event will be fun as a kind of gay carnival of Garland appreciation. His prowess is considerable I just think it lies in other areas. I just don't know if he has the physical ability. Nothing wrong with it, I love his voice, I just don't know if he can even approximate what Garland was able to express and I'm speaking from a purely technical standpoint. Maybe Wainwright will start singing differently, he has shown signs of opening up his vocal tone but across all his albums it tends to live in a pretty narrow, nasal placement and a limited range.
That's what Garland did and I love her as well. And I have no problem whatsoever with cover tunes or song interpretations.
I do love Rufus Wainwright and I buy all his albums. Thing 2 also has a point, but chooses to cloak it in ad hominem attacks. Thing 1 has a point: Rufus's vocal quality is far from Judy's, but that may allow him to put his own Wainwrightian stamp on the material. Thing 1 and Thing 2: This is why I need to start requiring identities on comments. J.go: I've never seen him live, but I'm sure he's brilliant. Even more ridiculous, you conclude a diatribe about "originality" by QUOTING someone? Are you retarded? 12:06 PM Bill said. If you've ever heard him perform any of her songs, you'd get it. Rufus Wainwright CAN do Garland, if only because it's his performed conception of what Garland did. You realize of course that you've just condemned every cover song every written, every jazz tune ever played, every actor who has ever played a part on stage. 9:16 AM Anonymous said.Īnonymous #1 you're a goddamn putz. Why would he even bother to do this? To quote Garland herself: It's better to be a first rate version of yourself than a second-rate version of someone else. Wainwrights vocal limitations are rendered irrelevent by the quality of his songs and his personal connection to them. His vocal tone is too shrill to belt out tunes like Judy did and get away with it. I absolutely adore Wainwright as a songwrighter and lyricist but vocally he's a far cry from Garland. This show sounds spectacular! 7:24 PM Anonymous said. I saw Rufus live years ago when he opened for Tori Amos.